SCREAM issue 37 is now on sale, featuring ‘The Beast of Liverpool’, my four-page interview with John Reppion, co-writer of SelfMadeHero’s upcoming M R James graphic novel anthology, Ghost Stories of an Antiquary: Volume 1. I spoke to John about how Liverpool has influenced his work, whether or not it’s still cool to hate Lovercraft and how his peers are all flying around in helicopters drinking champagne by now. Don’t tell anyone, but I submitted the youngest photo of John that I could find to accompany the interview, just to unnerve anybody confronted by his wizened face at a convention.
I’m continuing to post all of my previously published comics online to read for free, and plan to continue uploading a new strip every week until at least the end of the year.
Esben and the Witch, illustrated by Phil Marsden, was our interpretation of the Danish fairy tale, which I discovered purely through love of the band with the same name. I’ve been making comics with Phil off and on since we worked together at Travelling Man Newcastle. Phil went on to illustrate features for NME and Kerrang! and to exhibit at fine art galleries around the world, completely unhindered by the fact that I demanded he draw cannibalism, cross-dressing and sexual deviancy on a semi-regular basis.
Next up was Tourou Nagashi, a two-page colour strip illustrated by my La Belle Dame Sans Merci co-creator, Karen Yumi Lusted. Tourou Nagashi was inspired by my love of Higurashi (still my favourite manga and anime of all time) and was created for SCREAM‘s first colour special, back when the mag was still printed in black-and-white. Karen and I are currently prepping La Belle Dame Sans Merci: Chapter Three for a 2016 release, waaay later than originally planned, but we’re determined to see the story through to the end and then have it collected as originally envisioned, without compromise. Life got in the way for both of us doing it as quickly as we’d have liked, but it’s a very personal project that I feel is worth waiting for.
Not Now Bernie, also illustrated by Phil Marsden, was the first strip that I ever had published in Starburst Magazine (issue 375, March 2012). Working on these one-page monthly strips for Starburst was the best – it taught me so much about economy of storytelling and the nuances of working with different artists, and because I had to find a new artist every month I met SO MANY cool people that I’ve continued to collaborate with. I created one-page (and sometimes longer) comic strips for Starburst for every issue from 375 until 396, March 2012 until January 2014, running alongside my column about comics Adventures On Alternative Earths.
Because you haven’t had enough Phil Marsden in your lives yet, Colt 45 was one of our earliest strips together, created around 2010 and based on a true story from my misspent youth, walking home from the nightclub Cuba Cuba in Newcastle-Upon-Tyne. I might have taken a *little* artistic licence with the tale, but no more so than I would do if I told you the story in a bar. After some lonely only-child years when I first became a teenager, I led a charmed life from the age of 15 or so when I discovered the wonders of sex, drugs and rock and roll (in reverse order…). Probably more of the stories that I write have autobiographical elements than anybody sane would give me credit for, but there’s a good reason our horror-comedy anthology was named BLACKOUT.
Finally for this month, Embrace the Dark was the first strip that I created with Martin Simmonds, who’s currently illustrating Monty Nero‘s Death Sentence: London (Titan Comics). Embrace the Dark was created for Starburst issue 382, published in October 2012, and was my opportunity to discover that there really are some artists in the world that share my macabre tastes. After working with Martin on Embrace the Dark, I felt like I was ready to start pitching to comic publishers in earnest, the results of which will hopefully be revealed before the end of the year.
Every week for the rest of 2016 I’m going to be posting up my previously published comic strips online to read for free. Eventually I’ll probably do a huge collection of all my standalone strips and magazine work, because for years I was creating one-off comics each month with different artists for magazines in the UK and entering competitions and submitting to anthologies, but that’s not a priority for 2016. This is the year of the new.
In future months look out for strips with D W Frydendall (Dark Horse – Creepy), Martin Simmonds (Titan Comics – Death Sentence: London), INDIO! (Changeling Studios – Raygun Roads) and Joe Whiteford (horror-folk-punk band Harley Poe), but for now you can read the first three professionally published comic strips that I ever worked on, created for SCREAM: The Horror Magazine late 2011 and early 2012.
Everybody has a different route to publication, but for me personally I floundered after studying English Literature at the University of Newcastle-Upon-Tyne and spent years in jobs that had nothing to do with writing. At one point I realised that the things I was most knowledgeable about were horror, comic-books, punk-rock and the Romantics, and it felt like I’d NEVER find a way to do anything practical with these things. So I sat down and looked at all the magazines currently being published, particularly new ones that weren’t too established yet, and I found SCREAM, a horror mag that hadn’t yet featured any writing about comics. I emailed the editor, Rich Cooper, and he was the first person to publish my work, a feature about Avatar Press. The next month I emailed him again and suggested that I could write one-page comics for the pages of the mag, and so he also became the first person to publish one of my comics. After seeing my original comics on shelves in newsagents in the UK, I never looked back!
Drag the Lake was my first strip for SCREAM, created with artist Kate Holden. Kate is from Cumbria and mostly focuses on work for games these days, but she’s great.
Don’t Fear The Reaper was my second strip for SCREAM, created with Jack Fallows, who was genuinely the first person to ever send me fanmail for my first self-published comic EVERYTHING IS GOING TO BE ALRIGHT.
I Was A Teenage Werewolf was my third strip for SCREAM, also created for Jack, because we work brilliantly together when we don’t hate each other.
It’s been a while since I reviewed comics with any regularity, but this year I agreed to return to SCREAM: The Horror Magazine to write a bimonthly column about horror comics. The first column in this new run is now on sale in the digital version of SCREAM #36, with the physical version on sale next week.
The first column, which focuses on new and emerging British horror comic creators, features Adam Cadwell’s Blood Blokes, Gem Sheldrake’s The Moving House, Andy Bloor’s Andy-Thology, John Lees and Iain Laurie’s And Then Emily Was Gone…, James McCulloch and Janine Van Moosel’s City of Lost Souls, John-Paul Bove and Conor Boyle’s UnEarth, Owen Johnson and John Pearson’s Beast Wagon, Mike Garley and Josh Sherwell’s The Kill Screen and anthology titles such as The Grime and Horrere. There are some truly outstanding comics in that crop so I hope you’ll take time to check them out.
On Saturday 14th and Sunday 15th November I’ll be at Thought Bubble, Leeds (UK), on table 192 in New Dock Hall, launching the collected UK edition of The Object of my Affection, co-created by Sydney-based Phillip Marsden (Kerrang!, NME). Come along to buy copies of our “progressive filth”, collected from the pages of the now out-of-print BLACKOUT and BLACKOUT II:YOLO, which is not out of print and will also be on sale!
The Object of my Affection is for ADULT READERS ONLY. Laura Sneddon (The Beat, The Independent) said about it: “Underground comics are often unfairly dismissed as misogynistic male fantasy fodder, but it’s fair to say that the particularly disturbing and on point look at misogyny within The Object of my Affection is both incredibly welcome and a resounding success. The objectification of women is deftly turned into a weapon against sexism, and a genuinely terrifying morality tale. Hurrah for progressive filth!”
I’ll also be selling copies of La Belle Dame Sans Merci chapters one and two, co-created by Karen Yumi Lusted (with chapter three sadly delayed due to external circumstances, but almost complete and ready to print) and Love Will Tear Us Apart, co-created with RGB, which features backup illustrations by John Pearson (British Comic Award shortlisted co-creator of Beast Wagon) and INDIO! (British Comic Award shortlisted co-creator of Raygun Roads) and a playlist of zombie songs by Rue Morgue Radio‘s Tomb Dragomir. John Pearson and I will both be selling copies of our triptych of Manson Family-inspired A3 prints, originally created for the CULT exhibition at Orbital Comics last year.
If you’re going to Thought Bubble, come along to say hi at the Orbital Comics Presents… Young Guns Art Jam from 8:30pm on Cross York Street in Leeds. I’ll be there until late, hanging out with talented artists like Martin Simmonds and Caspar Wijngaard, who is celebrating the launch of his first Image book, LIMBO.
Over the summer I relocated from Manchester to Devon, where there are cider festivals and Morris Dancing every weekend and I’m beautifully close to the beach and sea. Get in touch if you’re based in the south west of England and want to stock my comics in your store or arrange in-store signings!
Last month the British Fantasy Society also announced the winners of this year’s British Fantasy Awards. I was a juror for the third year running and helped out judging the Best Artist category this year, which was a brilliant experience.
Over the course of the past year I’ve been contributing to Andy Oliver and Broken Frontier‘s in-depth analysis of small press comics in the UK, State of the Small Press Nation. You can read the final column that I contributed to here: State of the Small Press Nation.
From the pages of The Final BLACKOUT, my upcoming satirical horror-comedy anthology with co-creators Jack Fallows (Axolotl) and Phillip Marsden (Kerrang!), comes BKIP, illustrated by Phillip Marsden, the story about Teddy Bear’s struggle to survive in a world where migrant humans are undercutting good, honest, local bears. You can read the eight page strip in full on my Tumblr. Today’s the day the teddy bears have their picnic.
If you enjoyed BKIP, I’ll soon be publishing in the UK the collected edition of my other major comic with Phillip Marsden, The Object of My Affection, of which Laura Sneddon (The Guardian, The Independent) said: “Underground comics are often unfairly dismissed as misogynistic male fantasy fodder, but it’s fair to say that the particularly disturbing and on point look at misogyny within Object of My Affection is both incredibly welcome and a resounding success. The objectification of women is deftly turned into a weapon against sexism, and a genuinely terrifying morality tale. Hurrah for progressive filth!”
This year I’ve worked with Beast Wagon co-creator John Pearson (Rue Morgue) again on a new strip called Click Bait, about Japanese YouTube schoolgirl celebrities. I have a lot of pent up feelings about the institutional sexism that seems to be prevalent throughout society and the ways that this manifests in the representation of women in comics. Click Bait addresses some of those issues in my characteristic understated and subtle way. I’ll update this site when I can confirm when and where it will be published.
Following a similar theme, by this point readers may have noticed that behind the plot of my Gothic-horror series with Karen Yumi Lusted (Tommi C and the Cat Burglar), La Belle Dame Sans Merci, lies the question of what is a femme fatale? I find the archetypal notion of the femme fatale, going from modern Neo Noir back to the Romantic poets and earlier, to be problematic. This series tackles some of those ideas. La Belle Dame Sans Merci Chapter Three is still on track for release this year, an oversized issue about child abductors, Hell and redemption.
Finally, work continues slowly with artist Caspar Wijngaard (Tortured Life) on a story that we’re developing together, and like so many of my stories, it seems to be really benefiting from the additional time that we’re giving to it. More news on this when it’s ready.
This site has been a desolate wasteland since a couple of big writing projects took off at the end of last year. I can’t reveal the main projects that I’m working on, BUT, I’m also collaborating with some insanely talented artists on a number of short and long-form comic-book projects that I hope will be ready to talk about soon.
Here’s a character sketch from an idea that I’m developing with Caspar Wijngaard, famous for his work on Tabitha, Tortured Life and other T-Pubs series. I don’t want to reveal too much, other than to say that it was born in part from my desire to create something that would play to Caspar’s dark side and flair for creating monsters.
The third chapter of La Belle Dame Sans Merci, co-created by Karen Yumi Lusted, is due for completion shortly and I’ll be announcing exactly where and when the comic will launch as soon as the pinups and backup material are complete. This is our longest issue yet, wrapping up La Belle Dame’s journey and delivering an ending, of sorts. You can buy chapters one and two in my online store.
I’m also collaborating with Owen Johnson (Raygun Roads) on another project that’s still in it’s infancy. We’re holding regular meetings to hurl abuse at one another and conjure up a world that people will want to visit. Owen recently led a successful Kickstarter campaign with John Pearson, who I collaborated with last year on a series of Manson Family prints and adult horror anthology, Love Will Tear Us Apart (also available to buy online). Owen and John’s series together, Beast Wagon, is a thing of beauty, and I remember well the initial phone call with Owen early last year when he talked about his ideas to create a story about talking animals in the zoo and I egged him on to take the concept as far as it could go. As a result of his work on Love Will Tear Us Apart, John Pearson has recently completed some illustrations with my good friend Tomb Dragomir for Rue Morgue Magazine, which are well worth taking a look at.
The UK collected edition of The Object of My Affection, with co-creator Phillip Marsden (Kerrang!, Off Life), is currently being prepared for printing and will hopefully be ready to launch at a comic festival in the near future. The collected edition features a new pinup created by Gareth Brookes (The Black Project) and Asterinidae hand embroidery. Laura Sneddon (The Guardian, The Independent) said of Object: “Underground comics are often unfairly dismissed as misogynistic male fantasy fodder, but it’s fair to say that the particularly disturbing and on point look at misogyny within Object of My Affection is both incredibly welcome and a resounding success. The objectification of women is deftly turned into a weapon against sexism, and a genuinely terrifying morality tale. Hurrah for progressive filth!”
I contributed to a series of State of the Small Press Nation columns written by Broken Frontier‘s Andy Oliver, analysing the market for independent comics in the UK. I discuss my views on the importance of expanding the readership for comic-books in the UK, choosing the right conventions to exhibit at and the ways that having a family can affect convention appearances. You can read the full series of columns here.
The talented Alasdair Stuart reviewed my adult horror anthology, Love Will Tear Us Apart, co-created with RGB, and said: “Buchan’s ear for dialogue is perfect and there’s something horrifically British about the extended silences and hunched, quiet children trying not to get in trouble.
“When the end times come, the story kicks up two gears and the result is extraordinary. There’s one page here that’s easily the nastiest thing I’ve seen done with a zombie in the last year and the ending is both emotionally satisfying and full of action catharsis. It’s a tough piece about a tough group of people and what may be their last actions but it’s also intensely compassionate and humane.
“That same compassion is on display in (short story) Drinking Bleach Instead. A couple, held together by politeness and necessity more than love, encounter the end of the world not threatening their children, but through them. This plays like classic ‘70s horror, the small cast and location creating a pressure cooker of tension. The ending is inevitable but no less horrific for that and the piece works as a carefully considered polar opposite of Love Will Tear Us Apart.
“This is a fantastic pair of horror stories from some of the best creators in the UK. It’s not easy reading at times but the best horror never is and this is certainly some of the best horror I’ve read this year.”
Speaking of reviewers, talented US reviewer Brett Schwaner, who has been a big champion of my work and UK comics in general, is preparing to release his first illustrated horror novel, Guignol – A Tale of Escalating Horror. You can read a free preview on his site an it’s well worth your time, illustrated by ‘New Orleans punk rock legend Keith Hogan’.
Finally, you can now read my savage three-page fantasy comic strip with Anna Fitzpatrick, My Heart Is Yours, online, as reported by Forbidden Planet International. Thanks as always to Joe Gordon and Rich Bruton for their support of comic creators in the UK.
Launching in New Dock Hall, Table 187 at Thought Bubble in Leeds on Saturday 15th November 2014, is my new adult horror collection, Love Will Tear Us Apart, illustrated by debut comic artist RGB and John Pearson (Beast Wagon, CULT), with pinups by INDIO! (Raygun Roads, Stephenson’s Robot) and Mark Chadwick (Raygun Roads, The Electra Tattoo Company) and a rundown of the Top 11 zombie terror tunes of all time by Tomb TV and Rue Morgue Radio‘s Tomb Dragomir.
Love Will Tear Us Apart is a 48-page adult horror anthology that tackles themes of domestic abuse and familial responsibilities in an apocalyptic setting. In the end times, nobody will have more to lose than parents, and this collection reflects the ways that my outlook on life changed when I became a father.
As well as the physical copy, which launches on the 15th of November, a digital version will be available at http://pmbuchan.bigcartel.com from Monday 17th November, in a PDF that has been optimised for iPad screens.
I’ll be exhibiting at Thought Bubble with long-suffering associate Jack Fallows, who’ll be selling copies of his self-loathing diary comic Axolotl 2. You’ll be able to buy copies of my Manson Family-inspired CULT A3 art prints, created with artist John Pearson. There’ll be special offers for anybody buying Love Will Tear Us Apart and the CULT prints together. I’ll also be selling copies of Gothic-horror series La Belle Dame Sans Merci, which comes with a free downloadable soundtrack, and BLACKOUT II: YOLO, the satirical horror-comedy anthology featuring strips by Jack Fallows, Phillip Marsden, Chris Doherty, Trystan Mitchell, Mike Barnes and Harley Poe‘s Joe Whiteford. Finally, there’ll be early bird discounts for anybody that wants to buy any of the above before 12pm on the Saturday.
If you’re coming to Thought Bubble, I’ll be at the Raygun Roads unofficial Thought Bubble party on Friday night and then the British Comic Awards and mid-con party on Saturday night. Say hi if you see me!